Laura Cannell's Latest Album, Brightly Shone the Moon, Explores the Complexities of Winter
Laura Cannell's folk album, Brightly Shone the Moon, is a nuanced exploration of the winter season, where joy and heartache exist in a delicate balance. Drawing from her childhood Christmases in Norfolk Methodist chapels and churches, Cannell sets out on her most introspective journey yet.
The album begins with the organ, reminiscent of Cannell's formative years, which gives way to the 16th-century folk melody of O Christmas Tree/O Tannenbaum. The fiddle quivers around this classic tune, conjuring images of a snowglobe swirling in memory. However, the repetition of All Ye Faithful takes on a new tone, as Cannell delves into the complexities of love and longing during winter.
Beauty emerges elsewhere in the album, with tracks like Lost in a Merry Christmas showcasing high melodies that flutter and melt together in the air. Bleak Midwinter presents an urgent, icy rush, replacing melancholy with a sense of hope, while Angels Falling from the Realms is a warm and haunting tribute to long-forgotten hymns.
This is not a festive album for parties or tree decorations; it's one that carries you through the passage of time, with Christingles lighting the way like sparks of ancient songs. Cannell's work is an honest portrayal of winter's struggles and contradictions, weaving together old traditions with modern sensibilities to create something both timeless and contemporary.
In addition to Brightly Shone the Moon, several other releases this month are worth exploring. Anna Pidgorna's Invented Folksongs showcases her unique blend of traditional Ukrainian music and avant-garde style, while Michael Winograd's Plays Tanz! brings traditional klezmer to a spirited live performance. Winter Wonderband's Joy Illimited is a mixed grab-bag of festive tunes, featuring Jennifer Crook, Maclaine Colston, Saul Rose, and Beth Porter among others.
Laura Cannell's folk album, Brightly Shone the Moon, is a nuanced exploration of the winter season, where joy and heartache exist in a delicate balance. Drawing from her childhood Christmases in Norfolk Methodist chapels and churches, Cannell sets out on her most introspective journey yet.
The album begins with the organ, reminiscent of Cannell's formative years, which gives way to the 16th-century folk melody of O Christmas Tree/O Tannenbaum. The fiddle quivers around this classic tune, conjuring images of a snowglobe swirling in memory. However, the repetition of All Ye Faithful takes on a new tone, as Cannell delves into the complexities of love and longing during winter.
Beauty emerges elsewhere in the album, with tracks like Lost in a Merry Christmas showcasing high melodies that flutter and melt together in the air. Bleak Midwinter presents an urgent, icy rush, replacing melancholy with a sense of hope, while Angels Falling from the Realms is a warm and haunting tribute to long-forgotten hymns.
This is not a festive album for parties or tree decorations; it's one that carries you through the passage of time, with Christingles lighting the way like sparks of ancient songs. Cannell's work is an honest portrayal of winter's struggles and contradictions, weaving together old traditions with modern sensibilities to create something both timeless and contemporary.
In addition to Brightly Shone the Moon, several other releases this month are worth exploring. Anna Pidgorna's Invented Folksongs showcases her unique blend of traditional Ukrainian music and avant-garde style, while Michael Winograd's Plays Tanz! brings traditional klezmer to a spirited live performance. Winter Wonderband's Joy Illimited is a mixed grab-bag of festive tunes, featuring Jennifer Crook, Maclaine Colston, Saul Rose, and Beth Porter among others.