In a dazzling display of theatricality, Lady Gaga took to the stage wearing what Samuel Lewis, an Australian-Taiwanese designer, called "a moving piece of art, an engineering feat." The 26-year-old's creation was not just a dress but a sculptural, 7.5-metre-high gown that transformed into a metal cage, complete with dancers writhing behind its steel bars.
The extent of the costume became apparent when Gaga's skirt opened to reveal the cage underneath, pushing Lewis to his design limits. "We had to be like, how giant can something like this be?" he recalled. Lewis collaborated with Athena Lawton, an LA-based costume designer, on the project. The result was a showstopping performance that exemplified Lewis's unique blend of meticulous engineering and chaotic romanticism.
A veteran of creating elaborate costumes for celebrities like Chappell Roan, Blackpink members, Julia Fox, Madonna, and now Lady Gaga, Lewis has gained recognition in celebrity circles for his bold, boundary-pushing designs. His personal style is characterized by the sex appeal and fervour of 70s rock, with flares, peaked collars, and gothic boots.
Lewis's rise to prominence was facilitated by social media, which bridged geographical distances and introduced him to high-profile clients. However, he acknowledges that Australian designers often remain overlooked until they leave Australia. "A lot of the time, the attention goes to the people who have already established themselves abroad," Lewis noted.
The 26-year-old designer's approach to fashion is shaped by his diverse cultural influences, including film and music. His work is informed by "70s rock and 80s grunge" as well as "fabrics that might not be perfect, that have a sense of decay." He often experiments with silhouettes that track the shape of the human body before contorting into fantastical forms.
For his upcoming debut collection, Lewis plans to combine bespoke pieces with ready-to-wear items. Inspired by the concept of collecting things over time and finding beauty in everything, his designs will be released in 2026. When asked about his creative process, Lewis said he aimed to create garments that would challenge clients' perceptions: "I really want to make something that makes you be like, 'What the fuck is that? How does it work?'".
The extent of the costume became apparent when Gaga's skirt opened to reveal the cage underneath, pushing Lewis to his design limits. "We had to be like, how giant can something like this be?" he recalled. Lewis collaborated with Athena Lawton, an LA-based costume designer, on the project. The result was a showstopping performance that exemplified Lewis's unique blend of meticulous engineering and chaotic romanticism.
A veteran of creating elaborate costumes for celebrities like Chappell Roan, Blackpink members, Julia Fox, Madonna, and now Lady Gaga, Lewis has gained recognition in celebrity circles for his bold, boundary-pushing designs. His personal style is characterized by the sex appeal and fervour of 70s rock, with flares, peaked collars, and gothic boots.
Lewis's rise to prominence was facilitated by social media, which bridged geographical distances and introduced him to high-profile clients. However, he acknowledges that Australian designers often remain overlooked until they leave Australia. "A lot of the time, the attention goes to the people who have already established themselves abroad," Lewis noted.
The 26-year-old designer's approach to fashion is shaped by his diverse cultural influences, including film and music. His work is informed by "70s rock and 80s grunge" as well as "fabrics that might not be perfect, that have a sense of decay." He often experiments with silhouettes that track the shape of the human body before contorting into fantastical forms.
For his upcoming debut collection, Lewis plans to combine bespoke pieces with ready-to-wear items. Inspired by the concept of collecting things over time and finding beauty in everything, his designs will be released in 2026. When asked about his creative process, Lewis said he aimed to create garments that would challenge clients' perceptions: "I really want to make something that makes you be like, 'What the fuck is that? How does it work?'".