Spotify Wrapped's 'Listening Age' is a Masterclass in Psychological Manipulation. But How Long Will it Last?
When Spotify released its annual "Wrapped" campaign this year, users were in for a surprise - their "listening age" had been calculated. For the author, who turned 44 this year, the result was a whopping 86 years old. The numbers were emblazoned on the screen in big pink letters, prompting laughter and outrage from friends and family.
The problem wasn't just the accuracy of the calculation - it's that Spotify's algorithm had deemed the author "into music of the late 50s" this year, despite their actual top 10 most-listened-to songs all being released in the past five years. The author's taste is often described as "eclectic", with a whopping 409 artists and 210 genres listened to over the past year.
But what's truly astonishing is that Spotify's algorithm was designed to elicit an emotional response from users like the author. By pitting their musical tastes against those of their peers, Spotify creates a false narrative - one that says if you're listening to music outside the mainstream, you must be older than your actual age. This "reminiscence bump" phenomenon suggests that our brains are wired to connect with the music from our younger years.
However, this strategy has been widely ridiculed on social media, with many users sharing their own "listening ages" and mocking Spotify's attempts at psychological manipulation. The 22-year-old actor Louis Partridge even shared his listening age of 100 on Instagram stories, captioning it "uhhh". It seems that while Spotify's campaign may be cleverly designed to elicit outrage, it ultimately backfires.
As the author so aptly observed, when you know the reasoning behind your own "listening age", the whole thing loses its potency. In fact, the author has taken matters into their own hands - by playing a classic Ella Fitzgerald song on an old CD player, they've effectively ignored the algorithm and asserted their musical independence.
It remains to be seen how long this strategy will last for Spotify. Will users continue to laugh at their "listening ages" and share them online, or will the platform adapt its approach in response? One thing is certain - as long as Spotify continues to push the boundaries of psychological manipulation, users will keep on poking fun at its attempts to define us through our musical tastes.
When Spotify released its annual "Wrapped" campaign this year, users were in for a surprise - their "listening age" had been calculated. For the author, who turned 44 this year, the result was a whopping 86 years old. The numbers were emblazoned on the screen in big pink letters, prompting laughter and outrage from friends and family.
The problem wasn't just the accuracy of the calculation - it's that Spotify's algorithm had deemed the author "into music of the late 50s" this year, despite their actual top 10 most-listened-to songs all being released in the past five years. The author's taste is often described as "eclectic", with a whopping 409 artists and 210 genres listened to over the past year.
But what's truly astonishing is that Spotify's algorithm was designed to elicit an emotional response from users like the author. By pitting their musical tastes against those of their peers, Spotify creates a false narrative - one that says if you're listening to music outside the mainstream, you must be older than your actual age. This "reminiscence bump" phenomenon suggests that our brains are wired to connect with the music from our younger years.
However, this strategy has been widely ridiculed on social media, with many users sharing their own "listening ages" and mocking Spotify's attempts at psychological manipulation. The 22-year-old actor Louis Partridge even shared his listening age of 100 on Instagram stories, captioning it "uhhh". It seems that while Spotify's campaign may be cleverly designed to elicit outrage, it ultimately backfires.
As the author so aptly observed, when you know the reasoning behind your own "listening age", the whole thing loses its potency. In fact, the author has taken matters into their own hands - by playing a classic Ella Fitzgerald song on an old CD player, they've effectively ignored the algorithm and asserted their musical independence.
It remains to be seen how long this strategy will last for Spotify. Will users continue to laugh at their "listening ages" and share them online, or will the platform adapt its approach in response? One thing is certain - as long as Spotify continues to push the boundaries of psychological manipulation, users will keep on poking fun at its attempts to define us through our musical tastes.